Brazilian actress Fernanda Torres was awarded the Satellite Awards for Best Actress in a Drama Film last Sunday, January 26, 2025, in recognition of her performance in the feature film Ainda Estou Aqui (I’m Still Here). At 59 years old, the artist reaffirms her position as one of Brazil’s greatest performers, earning a prominent spot in international award ceremonies. The award was presented by the International Press Academy, an organization of entertainment journalists and critics in the United States, marking a significant moment for Brazilian cinema.
In the competition for the honor, Fernanda faced a list of high-profile contenders. Among them were Angelina Jolie for her role in Maria, Lily-Rose Depp in Nosferatu, Nicole Kidman for Babygirl, Saoirse Ronan in The Outrun, and Tilda Swinton in The Room Next Door. Despite the renowned nominees, Fernanda’s portrayal of Eunice Paiva, the central character in Ainda Estou Aqui, stood out for its emotional depth and artistic brilliance, earning widespread praise from critics.
The film, directed by Walter Salles, is based on the real-life story of Eunice Paiva, a lawyer and mother of writer Marcelo Rubens Paiva. Eunice spent decades seeking answers about the disappearance of her husband, Rubens Paiva, during Brazil’s military dictatorship. The narrative unfolds in a poignant story that intertwines personal tragedy with the political history of the country, shedding light on issues of memory and justice.
A continuous trajectory of recognition
Winning the Satellite Awards is another milestone in what has been a highly significant awards season for Fernanda Torres. Earlier in January, the actress was also honored with the Golden Globe in the same category, solidifying her status as a key figure in the race for the industry’s most prestigious accolades. Her performance in Ainda Estou Aqui not only drew unanimous acclaim but also earned her a nomination for the 2025 Oscars in the Best Actress category. The film itself achieved an unprecedented nomination for Brazil as Best International Film.
The Oscars ceremony, scheduled for March 2, 2025, at the Dolby Theatre in Los Angeles, promises to be a historic event for Brazilian cinema. Fernanda Torres will be among the finalists, competing with four other outstanding performers: Demi Moore for The Substance, Mikey Madison for Anora, Cynthia Erivo for Wicked, and Karla Sofía Gascón for Emilia Pérez. A Brazilian artist’s presence among the nominees reflects the global impact of Ainda Estou Aqui and the recognition of its cultural importance.
The power of storytelling in Ainda Estou Aqui
The feature film Ainda Estou Aqui is not merely a work of fiction. It is a testimony to Eunice Paiva’s struggle against the adversities imposed by an authoritarian regime. The story, which depicts the disappearance of Rubens Paiva—portrayed by Selton Mello—is set during the darkest years of Brazil’s military dictatorship, a time marked by political persecution and censorship. Eunice, portrayed by Fernanda Torres and her mother, Fernanda Montenegro, in different life stages, symbolizes an unwavering quest for truth and justice.
In addition to Fernanda Torres, the cast includes other renowned names, such as Selton Mello, and an exceptional lineup of Brazilian cinema talents. Walter Salles’ direction brings a unique sensitivity to the narrative, turning the audience’s experience into a profound reflection on the past and its repercussions on the present.
The main challenges and merits of the production
Produced by Globoplay, Ainda Estou Aqui has been met with acclaim both in Brazil and internationally. The detailed setting, which faithfully recreates the dictatorship era, and the evocative soundtrack are elements that contribute to the film’s excellence. Since its release, the movie has become a landmark in Brazilian cinema, celebrated as an essential work to understand the challenges faced by families who lost loved ones during this historical period.
Milestones and achievements of Fernanda Torres
With a career spanning over four decades, Fernanda Torres is widely recognized for her versatility and talent. Over the years, she has transitioned seamlessly between theater, television, and film, amassing numerous awards and accolades for her outstanding performances. Her portrayal in Ainda Estou Aqui is regarded as one of the most impactful performances of her career, cementing her legacy as one of Brazil’s greatest actresses.
The victory at the Satellite Awards is an international recognition that transcends her individual performance. It highlights the strength of Brazilian cinema in telling universal stories capable of resonating with audiences worldwide. The impact of her performance reflects not only her talent but also the importance of works that address historically and socially significant themes.
Curiosities and cultural impact
- Fernanda Torres is the daughter of Fernanda Montenegro, who also appeared in the film portraying Eunice Paiva in her later years.
- Ainda Estou Aqui marks Fernanda Torres’ first Oscar nomination, an unprecedented achievement for the actress.
- The production took three years to complete, with filming in various locations recreating historical settings.
Highlights and data from the awards season
- Fernanda Torres’ performance in Ainda Estou Aqui has been unanimously praised by critics.
- The Golden Globe and Satellite Awards are the first major international accolades received by Torres.
- The Oscar nomination places Brazil in the spotlight as a strong contender in the global film industry.
The impact of the award on Brazil
The international recognition of Ainda Estou Aqui and Fernanda Torres is a milestone for Brazil’s representation in prestigious awards ceremonies. The Satellite Awards win, coupled with the Oscar nominations, reinforces Brazilian cinema’s ability to create productions that resonate with universal themes and move audiences across cultures.
The Oscars ceremony promises to be a historic moment not only for Fernanda Torres but also for Brazil, which continues to expand its presence in the global film scene. The anticipation surrounding Torres’ performance and the film’s overall impact remains high, reflecting the cultural and emotional significance of Ainda Estou Aqui.

