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Letterboxd film retrospective begins shipping with annual statistics to users

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Cinephiles and users of the Letterboxd platform began receiving, from the beginning of January 2026, the long-awaited annual film summary, known as “Year in Review”. The retrospective, covering all activities recorded throughout 2025, is sent gradually to each member’s registered email, offering a detailed view of their film consumption habits.

Unlike other platforms that integrate their retrospectives directly into the application interface, Letterboxd maintains the tradition of delivering the report in a personalized way via email. The submission process is staggered, based on time zones, which means that not all users receive the summary simultaneously on the first day of distribution.

The initiative allows each person to analyze their tastes, discover patterns and share their statistics on social networks, encouraging discussions and comparisons between friends and followers. Para to qualify, however, a minimum requirement of activity on the platform during the previous year must be met, ensuring that the data generated is representative.

What to expect from your personalized summary

The “Year in Além of the general metrics, the retrospective presents specific data that reveals individual preferences, such as the actor or actress most present in the productions consumed, the director whose films were most explored and even the country of origin of the most watched films. The summary also highlights the most intense week of cinema sessions, the preferred day of the week to watch films and an in-depth analysis of the genres that dominated the personal list, offering a complete overview that goes far beyond a simple count of titles.

Essential requirements for qualification

To guarantee receipt of the Letterboxd annual summary, it is essential that the user has recorded at least ten films in their diary throughout 2025. Esse record must include the specific date on which the film was watched.

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The platform distinguishes the action of “registering” a film from that of simply “marking as watched”. The second option allows users to complete their history with films seen in the past, without a precise date, but does not count towards annual statistics.

Ratings, reviews and likes are crucial for building community rankings and social interaction on the network, but are not eligibility criteria for receiving the personal report. Qualification depends solely on the dated journal entry.

It is important to note that films added to the diary in private mode or that remain as drafts are not included in the final count. Apenas public and finalized records are included in the calculation of statistics presented in the email.

Access for members Pro and Patron

Subscribers to the paid plans of Letterboxd, Pro and Patron have a significant advantage when it comes to tracking their statistics. Esses users do not need to wait for the annual summary to analyze their habits, as they have continuous access to a detailed statistics page that is updated in real time throughout the year. Essa exclusive area offers advanced graphs and filters, allowing you to analyze film consumption by decade of release, country of origin, original language and more, providing a much more granular and in-depth view of your activities.

Despite having access to this data at any time, members Pro and Patron also receive the “Year in Review” email. Para them, the summary functions as a commemorative milestone, a finished and aesthetically pleasing product, ideal for sharing. Ele condenses the most relevant information of the year into a visually appealing format, complementing the analytical experience they already have and reinforcing the value of the subscription by offering both the ongoing analysis tool and the annual commemorative product.

The Letterboxd Community Retrospective

In addition to individual summaries, the platform also prepares an overview with data from its entire global community. Este collective report is scheduled to be released on January 12, 2026.

The community’s “Year in

These lists are highly respected among cinephiles, as they are compiled based on a weighted evaluation system, which seeks to balance the average score with the number of views, avoiding distortions and presenting a faithful portrait of the community’s critical consensus.

How to fix your viewing data

If a user realizes that they have recorded films incorrectly, marking them as watched without adding a date, it is still possible to correct the information so that it is reflected in future statistics. The first step is to access the settings section on the Letterboxd website and export the data to a file in CSV format.

With the file open in a spreadsheet program, the user must locate the column corresponding to the date and rename it from “Date” to “Watched Date”. Após save the changes, simply return to the platform and use the import tool to load the modified file, updating the records in bulk.

Checking your email settings

To ensure that the long-awaited retrospective email arrives correctly, it is recommended that users check the notification settings in their account. It is important to confirm that receiving newsletters and communications from Letterboxd is activated and also check your spam or junk folders, as, in some cases, the email may be directed there by mistake by providers.

The cultural phenomenon of annual retrospectives

Letterboxd’s “Year in Review” is part of a larger cultural phenomenon, popularized by services like Spotify Wrapped, which has transformed the analysis of personal data into an annual event of sharing and self-expression. Essas retrospectives give users a tangible way to look back and quantify time spent on their hobbies and passions.

The popularity of these roundups lies in their ability to spark conversation, connect people with similar tastes, and create a sense of identity and community. By sharing their movie stats, users not only celebrate their favorite films, but also participate in a collective celebration of film culture, comparing discoveries and reaffirming their identities as film fans.

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