First image from ‘Flesh Impact’ reveals Dakota Johnson transformed into Marilyn Monroe
A new image from the film “Flesh Impact” shows actress Dakota Johnson, 36, completely transformed to play Marilyn Monroe. The artist’s characterization as the iconic Hollywood diva was released on July 28, 2026, causing surprise and generating great repercussion among the public. The representation promises an unprecedented look at the legendary figure of Monroe.
The image, revealed by Vanity Fair, highlights Johnson in a look that recalls the late star in her period of greatest recognition. The film project is directed by Maggie Gyllenhaal and seeks to explore lesser-known aspects of Marilyn’s personality and legacy.
Director Maggie Gyllenhaal’s creative vision for the character
Director and screenwriter Maggie Gyllenhaal, 48, is the author of “Flesh Impact”. She explained to Vanity Fair that the choice of Dakota Johnson for the lead role was almost immediate, despite initial concerns about the physical resemblance between the “Fifty Shades” actress and Monroe. Gyllenhaal dismissed the concern, stating that Marilyn’s image is already so mythologized and commercialized that her real appearance has become “very blurred.”
The short film, lasting 17 minutes, is described by the director as a fusion between Marilyn Monroe herself and her idealized vision of the diva. Gyllenhaal, who had previously worked with Johnson in 2021’s “The Lost Daughter”, highlighted that the film addresses universal themes for actresses, such as the vulnerable and, at the same time, powerful nature of the profession. The production seeks to transcend mere biography and offer a reflection on the artistic experience.
Cast and details of the short film ‘Flesh Impact’
The film will premiere in September at the prestigious Venice Film Festival, coinciding with what would have been Marilyn Monroe’s centenary. In addition to Dakota Johnson, the cast also features Ellen Burstyn, 93, who plays an imaginary version of Monroe, never before seen by the public. Gyllenhaal’s husband, Peter Sarsgaard, and actress Sepideh Moafi, known for “The Pitt”, are also part of the production.
Burstyn accepted the invitation to join Gyllenhaal’s project with enthusiasm, according to the director. Gyllenhaal suggested that the role came at a time when the film’s themes, such as reflection and dreams, were of particular interest to the veteran actress. Johnson’s characterization includes classic Monroe visual elements, such as a short blonde wig and iconic mole.
The festival’s official synopsis and Monroe’s passing
The Venice Film Festival synopsis for “Flesh Impact” describes the story of a mysterious elderly woman who auditions for a play at a small experimental theater in New York City. As the character details her qualifications and experience as an actress, secrets of her identity and misconceptions about her life come to light, suggesting a narrative that plays with perception and reality.
Marilyn Monroe tragically died at the age of 36, in August 1962, as a result of an accidental overdose of barbiturates, an event that was classified as a “probable suicide”. The actress’s life and death continue to be the subject of fascination and speculation, cementing her status as a cultural icon.
Other actresses who played Marilyn Monroe on screen
Dakota Johnson’s portrayal of Marilyn Monroe in “Flesh Impact” joins a long list of actresses who have brought the diva to life on screen. Monroe’s recurrence in film and television productions reflects her figure’s lasting impact on popular culture and the constant challenge of capturing her essence.
Among the artists who have assumed the role of Marilyn Monroe over the years, the following stand out:
- Ana de Armas
- michelle williams
- Kelli Garner
- Ashley Judd
- Mira Sorvino
Each interpretation sought to offer a unique perspective on the star, addressing different phases of his life and career, as well as the complexities of his public and private persona. Gyllenhaal and Johnson’s new vision promises to further expand this legacy of representation.
