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Suspense and original scripts dominate the list of most anticipated dramas by Japanese audiences at the beginning of the year

Luís Henrique Costa
Por 6 min de leitura
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身代金は誘拐です (O Resgate é um Sequestro)
Foto: 身代金は誘拐です (O Resgate é um Sequestro) - Instagram/ryo.katsuji.official

A new survey revealed Japanese television productions, known as dramas, that generate greater public expectations for the start of the season. The survey points to a strong preference for mystery and suspense plots, in addition to a growing appreciation of original scripts to the detriment of adaptations of already known works, such as mangas and novels.

Carried out between December 18 and 22, 2025, the study interviewed 1,356 people of different ages and regions from Japão, drawing a clear picture of what viewers want to see on screens. The results serve as an important guide for broadcasters, who face a period of high competitiveness in the first quarter of the year.

Analysis of the data collected indicates that, although adaptations remain relevant, the search for new narratives and characters with greater psychological complexity has become a decisive factor for the audience. The public shows a clear interest in unpredictable stories that offer an innovative and surprising entertainment experience.

Audience profile and search criteria

The methodology used in the study allowed each participant to select up to three series from a list of productions confirmed for release between January and March. Essa approach made it possible to identify a set of works with high potential for engagement, rather than just a single isolated favorite.

The survey highlighted a significant participation of viewers over 50 years old, confirming that this demographic group remains a pillar of traditional television consumption. This audience’s preference for dramas with deep themes and well-developed relationships helps explain the success of more mature plots.

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The rise of unpublished narratives

One of the most relevant points highlighted by the research is the consolidation of original scripts as a competitive differentiator in the market. Diferente of stories based on pre-existing materials, new creations offer an element of surprise that has proven to be extremely effective in keeping viewers’ attention.

This creative freedom allows writers to explore more complex narrative arcs and unexpected twists, keeping audiences engaged with each episode. Embora adaptations have the advantage of an already established fan base, the freshness of a new story is becoming the main attraction.

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The trend also signals a strategic move by the Japanese entertainment industry, focused on creating new intellectual properties. Essas original productions have great potential for export and adaptation into other formats, strengthening Japão’s position as a center for creating innovative content on the global stage.

The domain of mystery and suspense

The thriller and mystery genres have established themselves as the most popular among the audience’s most anticipated dramas. Produções involving criminal investigations, family secrets and psychological thrillers appeared prominently in the ranking, reflecting the public’s desire for narratives that stimulate curiosity and tension.

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The weekly airing structure of Japanese television favors this type of story, as it encourages speculation and debate among fans on social media throughout the week. The ability to create a powerful cliffhanger at the end of each episode is a crucial factor in the continued success of these series.

At the same time, human dramas and romances continue to have a loyal and established audience. Research has shown continued interest in stories that address everyday life dilemmas, such as professional challenges and complex family dynamics, offering a deeper emotional connection with the characters.

These narratives, which often explore themes such as new beginnings and mature relationships, attract an audience looking not only for entertainment, but also for reflection. The combination of genres demonstrates an effort by broadcasters to build a balanced programming schedule that caters to different viewer profiles.

The highlights of the most anticipated ranking

The list of the ten most anticipated series reflects the diversity of genres that captivates the Japanese public. Tenth place, with 96 points, went to “AKIBA LOST”, a science fiction thriller set in a futuristic version of the Akihabara district, in Tóquio. The plot follows young people who move between the real world and a dangerous virtual reality.

In ninth place, with 99 points, was “Kioku wa Uso o Tsuku” (A Memória Mente), a mystery drama starring Umi Umikai and Misaki Hamabe. The story focuses on an old family secret that resurfaces, promising shocking twists and revelations about the characters’ pasts.

The productions that won over the public

Eighth place was taken by “50-sai no Koibito” (Lover at 50), which accumulated 107 points. Este romantic drama, starring Bettara Kento and Rina Honkei, explores the love story of a middle-aged couple who face social challenges and prejudices, addressing themes of second chances and starting over in adulthood.

With 110 points, seventh place went to “Kita no Nioi, Minami no Nioi” (Cheiro do Norte, Cheiro do Sul). Estrelado by renowned actress Yuina Kashiwagi, the human drama follows the journey of a woman who needs to rebuild her life after a great loss, being praised for the sensitivity and convincing performances of its cast.

The power of big stars and the script

The presence of established actors and actresses continues to be a crucial factor in attracting public attention. Nomes as well as Yuina Kashiwagi, Bettara Kento and the duo Tsubasa Honda and Ryo Nishikido function as a seal of quality, guaranteeing a significant initial audience. The survey confirmed that many viewers base their choice to watch a new series on the main cast, whose reputation builds confidence in the quality of the production even before it premieres. However, long-term success depends on the strength of the roadmap. The sixth position, achieved by “Subete wa Ano Dai Kirai no Tame ni” (Tudo Por Aquele Que Mais Odeio), with 133 points, exemplifies this combination. The suspense series combines the popularity of Tsubasa Honda and Ryo Nishikido with an intriguing plot about two detectives with a troubled past forced to collaborate, generating great expectations for the protagonists’ chemistry and the complexity of the case they investigate.

Broadcasters’ strategies for the season

Japanese broadcasters are investing in diverse programming to meet the audience’s multiple interests and compete with the growing offerings of streaming platforms. The focus is on high-value productions, with elaborate cinematography and robust and anticipated publicity campaigns.

Luís Henrique Costa é jornalista formado pela FMU, editor-chefe e fundador do Mix Vale, portal de notícias em atividade desde 2013. Responde pela direção editorial do veículo, que cobre Brasil e mundo em economia, benefícios sociais, esportes, tecnologia, ciência e entretenimento. Atua na área há mais de 15 anos e lidera uma equipe de cerca de 15 colaboradores.

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