Canal+ closes Showmax platform and migrates focus to satellite TV aiming for profit in the African market

3 min read
MultiChoice Foto: MultiChoice - Piotr Swat / shutterstock.com

French media conglomerate Canal+ has confirmed a profound restructuring of its operations on the African continent, determining the end of the Showmax streaming platform as an independent service. The strategic decision marks a turning point in the fight for the digital market in the region, prioritizing immediate profitability over expanding the user base at any cost. The measure comes after the consolidation of control over MultiChoice and aims to integrate digital assets directly into the linear television infrastructure, a sector where the company maintains historical hegemony.

The new operational guideline establishes that the entire catalog of original and licensed productions, previously exclusive to the application, will be absorbed by the operator’s satellite channels. Marcas consolidated in the region, such as M-Net and African Magic, will become the primary viewing windows for content that previously tried to compete in the digital environment. Management concluded that maintaining an autonomous streaming platform required an unsustainable level of investment in technology and marketing given the financial return obtained in recent quarters.

This change of route reflects a pragmatic analysis of the structural limitations of the local market. Diferente than other regions where broadband is ubiquitous, much of Africa still faces significant connectivity challenges and high mobile data costs. By refocusing on satellite transmission, Canal+ is betting on a resilient technology already installed in millions of homes, eliminating the barrier to entry that data consumption imposed on potential subscribers to the video on demand service.

Financial impact and unfeasibility of the previous model

The most recent financial reports were decisive for the closure of the isolated operations of Showmax. The streaming division experienced a severe deterioration in its accounts, recording an 88% increase in operating losses in the last fiscal year. Esses numbers made it unfeasible to continue the “cash burning” strategy, a business model imported from Vale from Silício that prioritizes the accelerated growth of the customer base, even if this means operating in the red for long periods.

Not even the strategic partnership previously signed with NBCUniversal, which injected around 400 million dollars to modernize the platform, was enough to reverse the negative scenario. The service was unable to achieve the aggressive membership targets set to justify the high operational costs of server maintenance and technology licensing. Diante In addition, French management chose to stop the financial bleeding and reallocate resources to areas where the profit margin is safer and more predictable.

Content reallocation and competitive landscape

Despite the discontinuation of the application, the company assured that investment in local content will not be interrupted. Original productions, which include drama series and reality shows with great regional popularity, will continue to be produced, but will now serve as exclusive differentiators for DStv and GOtv subscription packages. The strategy aims to shield the pay TV subscriber base, offering added value that justifies maintaining monthly contracts in a challenging economic scenario.

The decision also signals a tactical withdrawal from direct warfare against global giants like Netflix and Disney+. Essas international platforms already dominate the audience segment with greater purchasing power and access to high-speed connections, making direct competition expensive and inefficient for the French group. By focusing on linear channel curation and satellite distribution, Canal+ consolidates its position in a massive niche market that purely digital competitors find logistical difficulties in penetrating.

Luís Henrique Costa é jornalista formado pela FMU, editor-chefe e fundador do Mix Vale, portal de notícias em atividade desde 2013. Responde pela direção editorial do veículo, que cobre Brasil e mundo em economia, benefícios sociais, esportes, tecnologia, ciência e entretenimento. Atua na área há mais de 15 anos e lidera uma equipe de cerca de 15 colaboradores.

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