Fernanda Torres is moved by Jennifer Lopez’s statement about I’m Still Here
Jennifer Lopez chose the Brazilian film “I’m Still Here” as the production that changed her way of seeing the world. Participating in the podcast “Films to Be Buried With”, presented by Brett Goldstein, the actress and singer said that she watched the film with her family during Christmas, in one of the most delicate moments of her personal life, marked by her separation from Ben Affleck.
The story of Eunice Paiva, played by Fernanda Torres, touched Lopez deeply. “It healed a part of me that needed to be healed,” she said, remembering how the film helped her reflect on her family, her children and her own emotional process, including bringing her closer to her father in a remarkable conversation.
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The statement gained international repercussion and reached the protagonist. During her visit to the Taormina Festival, in Italy, where she received a tribute, Fernanda Torres watched the video of Lopez’s speech and couldn’t contain her emotion. “Wow. This is very, very exciting”, reacted the Brazilian actress.
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Film transcends politics and ideology
Torres highlighted what he considers the core of the work directed by Walter Salles: a narrative about family. “It’s a political film, but it’s a film about family. It’s an archaic story about a mother, alone with five children to raise. It’s a Greek tragedy that transcends any political position, any ideology,” he said.
For the actress, the impact on a star like Jennifer Lopez proves the universal reach of the production, which had already received an Oscar nomination for Best International Film and worldwide recognition. Anyone, regardless of origin, can connect with the central theme of motherhood and family resilience.
What J.Lo’s recognition reveals
Lopez’s statement comes at a time when “I’m Still Here” continues to expand its legacy beyond awards shows. The film, based on the real story of Eunice Paiva, widow of lawyer Rubens Paiva who disappeared during the military dictatorship, resonates in different cultures when dealing with loss, struggle and continuity.
Torres’ reaction reinforces the pride of Brazilian cinema in seeing its work touch global figures in such personal contexts. At the Taormina Festival, the actress also participated in debates about the role of women in the film industry, alongside names like Jane Campion.
