Harry Styles debuts album Kiss All the Time Disco Occasionally with 12 new tracks
Harry Styles released this Friday (6) the album “Kiss All the Time. The 12-track album arrived on digital platforms at midnight local time in each region, marking the British singer’s return after the success of “Harry’s
The project incorporates elements of disco, synth-pop and electronic influences, inspired by the artist’s experiences in European clubs and a more introspective phase. The lead single “Aperture” was released in January and served as an introduction to the album’s more atmospheric and danceable sound. Recordings took place between 2024 and 2025 at studios in Berlim and Londres, including iconic locations such as Hansa Studios and Abbey Road.
Complete album tracklist
The album follows a sequence of 12 tracks with varying lengths, totaling around 42 minutes. The order reflects a progression that begins with more intense beats and evolves into more reflective moments.
- “Aperture” (5:11) opens the record with trancy synths and lyrics about personal fulfillment.
- “American Girls” (3:33) features striking bass and dual production from Kid Harpoon and Tyler Johnson.
- “Ready, Steady, Go!” (2:40) highlights Chic-inspired bassline and dynamic sound effects.
- “Are You Listening Yet?” (3:12) incorporates gospel vocals and heavy 2010s beats.
These initial tracks establish the project’s danceable tone, with collaborations that add rhythmic and harmonic layers.
Mid-Range Details
The central part of the album mixes electronic experiments with more pop moments. “Taste Back” (3:41) features bubbling synths, drum machines, and vintage harmonies, exploring themes of desire and recovery. “The Waiting Game” (2:49) uses swirling electronics and synthetic percussion, with lyrics that play with words like “tantalize” and “titillate.”
“Season 2 Weight Loss” (approximate duration of 3 minutes) features frequent tone changes and processed vocals, creating an introspective atmosphere. “Coming Up Roses” (about 4 minutes) is an orchestral ballad written solely by Harry Styles, with string and brass arrangements by a 39-piece orchestra, including contributions from
These songs show the album’s versatility, alternating between club energy and more personal compositions.
Final tracks and ending
The album closes with tracks that maintain a balance between dance and reflection. “Pop” (about 3 minutes) rides on electronic bounce and rococo synth melody, with lyrics that touch on themes of fantasy and identity. “Dance No More” (approximately 3 minutes) evokes 80s synth, with shouts in the chorus and influences from drag-ball culture.
“Paint “Carla’s
The set of tracks demonstrates a sonic evolution, with a focus on electronic textures and collaborative productions.
Collaborations and technical production
Ellie Rowsell of Wolf Alice added background vocals to several tracks, enriching the harmonies. Tom Skinner, of The Smile, contributed precise percussion on multiple tracks. London group House Gospel Choir participated in choruses on songs such as “Are You Listening Yet?” and “Dance No More”, bringing gospel elements to the electronic sound.
Yaffra played piano, synthesizers and B3 organ on several tracks. Mixing was handled by Mark “Spike” Stent, with assistance from Kieran Beardmore, and mastering by Emily Lazar. Main engineering was led by Brian Rajaratnam, with support staff across multiple studios.
Launch context and promotional activities
The album arrives accompanied by a concert film “One Night In Manchester”, recorded at Co-op Live in Manchester and scheduled for broadcast on Netflix soon. Harry Styles appears as host and musical guest on Saturday Night Live on March 14.
The Together, Together tour kicks off in May with shows at Amsterdã and additional dates at Nova York. The material reflects influences from Berghain in Berlim, LCD concertos in Soundsystem and periods in
The album is available via Erskine Records and Columbia Records on digital platforms, with limited physical editions on vinyl, CD and cassette.
